Serveur d'exploration Xenakis

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Xenakis's Early Works: From " Bartókian Project " to "Abstraction"

Identifieur interne : 000394 ( Main/Exploration ); précédent : 000393; suivant : 000395

Xenakis's Early Works: From " Bartókian Project " to "Abstraction"

Auteurs : Makis Solomos [France]

Source :

RBID : Hal:hal-01202924

English descriptors

Abstract

During the “coup d'état” which, with Metastaseis (1953-54) and Pithoprakta (1955-56), bypassed the serial avant-garde—an avant-garde which was proclaiming that "any composer out of the field of serial research is useless"—thanks to the invention of radically new and "abstract" techniques, Iannis Xenakis appeared as an ex nihilo creator. The perspective of a tabula rasa, with which Xenakis simulates "amnesia," is certainly part of his theoretical intention. His musical output, however, partially negates this perspective. In the framework of the present article, it would be difficult to defend this opinion in relation to the whole of post-1945 musical history. I will only try to defend it in relation to Xenakis's own evolution, limited to his earliest works.

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   |texte=   Xenakis's Early Works: From " Bartókian Project " to "Abstraction"
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